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CANE RIVER, LOUISIANA – 1834
On the morning of her ninth birthday, the day after Madame Françoise
Derbanne slapped her, Suzette peed on the rosebushes. Before the
plantation bell sounded she had startled awake, tuned her ears to
the careless breathing of Mam'zelle above her in the four-poster
bed, listened for movement from the rest of the sleeping household,
and quietly pushed herself up from her straw pallet on the floor.
Suzette
made her way quickly down the narrow hall, beyond the wall altar,
and past the polished mahogany grandfather clock in the front room,
careful to sidestep the squeaky board by the front door. Outside
on the gallery, her heart thudded so wildly that the curiosity of
the sound helped soften the fear. Her breath felt too big for her
chest as she inched past the separate entrance to the stranger's
room and around to the side of the big house where the prized
bushes waited.
Barefoot
into the darkness, aided only by the slightest remnant of the
Louisiana summer moon, she chose Madame's favorite, a sprawling
rosebush with delicate pale yellow flowers and visible roots as
long as her father's fiddling bow.
The
task didn't take long, going and coming back, and Oreline's
breathing was still soft and regular when Suzette slipped back
onto her makeshift mattress at the foot of the bed. The only
evidence that Suzette had been gone at all was a thin, jagged
scratch on her bare arm from a thorn she hadn't seen in the
darkness.
The
day before had started with midsummer Louisiana predictability, so
smotheringly hot that the spongy air seemed to push down on
Suzette as she hurried to the cookhouse after church. Once there,
she slipped a clean apron over her good dress, a loose-fitting
dark calico with a yoke neck, one of Oreline's last-season
castoffs her mother had altered to fit the girl's small body. Her
mother had left room in the dress for a growth spurt. Every last
item of Suzette's clothing from undershift to leggings and shoes
had first belonged to her mam'zelle. Although the girls were the
same age, Oreline was taller than Suzette by half a head. They
made an odd pair, the pale white girl, long legged and gangly as a
young colt, and her tiny cocoa-colored nurse, Suzette, with skin
like strong coffee after the splash of cream. Suzette's eager
smile showed off a gap between her two front teeth. The space was
almost the width of a full kernel of corn, and Suzette used it to
give more force to her whistle. It came in handy for calling
chickens or pigs or for impressing Oreline and Narcisse when they
ran the woods together in play.
The
added heat from the blazing cookhouse fires made Suzette's dress
stick to her as she worked the paddle of the butter churn. Built
at a distance from the main house because of the risk of fire, the
cookhouse belonged to the Derbannes, along with the cotton and
cornfields, the swamplands, the facing rows of eight slave cabins
in the quarter, four on each side, and every other living thing on
Rosedew, their plantation along Bayou Derbanne.
Suzette
looked over to her mother Elisabeth's strong, quick hands as she
pulled a gray white dough ball toward her, kneading air into
biscuits for the master's breakfast table. When her mother
finished the cooking, it was Suzette's job to run the food to the
big house while it was still hot and to serve the table.
Der-banne.
Fre-dieu. She silently practiced her speaking voice in time to the
paddle, hoping her mother would make conversation.
Elisabeth
hummed as she worked, her tune deep, slow, and plaintive. Suzette
wasn't sure of her mood. Her mother had never taken to Creole
French, even the rough version they spoke in the quarter.
Elisabeth never achieved the same slurry rhythm that everyone else
from the house used.
"How
was church?" Elisabeth finally asked.
"St.
Augustine was beautiful." Belle, Suzette pronounced carefully,
wrapping her lips around the word, hoping her French sounded as
refined as Oreline's, imagining her words flowing as smoothly as
those she had heard this morning at the church. "Old Bertram
and I stood outside, but he found us a place where we could see
into the sanctuary." Sanctuaire. "M'sieu, Madame, and
Mam'zelle sat behind a row of gens de couleur libre."
Suzette
could still feel the wonder of the morning, the long ride in the
wagon pressed between Oreline and Narcisse Fredieu, seeing for the
first time the broad bell of St. Augustine above the vestibule,
the shimmery waves rising off the sun-baked tiles on the gabled
roof, the brightly colored glass. But mostly the clusters of
people. White, colored, Negro, free, and slave, all dressed fine,
all in one place.
Elisabeth
grunted. "The free people of color who built that church own
more slaves than the Derbannes. They go by their own rules,"
she said.
"I
saw him, Mère. When he came outside, I saw Augustine Metoyer
himself. I was as close to him as I stand to you now. You should
hear him talk. More proper than M'sieu Louis. And his top hat was
silk."
Suzette
closed her eyes to bring back the images of the morning. Augustine
Metoyer was the most famous of all the gens de couleur libre. The
closest she had ever been to Cane River royalty before was her
godmother, a free woman who had married into that famous family.
"I
wanted to go inside. Old Bertram went in for a few minutes and
took communion while I waited." Suzette was sorry her mother
had never seen St. Augustine, that she and Old Bertram were the
only slaves who had been allowed off the plantation.
"Just
do your work, Suzette," Elisabeth said. "We have ten to
feed this morning, and I still have Mam'zelle Oreline's birthday
supper to make."
"Mam'zelle
promised to leave some of everything on her plate for me tonight
since it is almost my birthday, too."
Elisabeth
said nothing, began to hum again.
Suzette
wished her mother would send her on an errand, away for a time
from all of the eyes that sought her out night and day. She would
slip off her shoes and walk, with the rich Louisiana soil under
her feet and between her toes, and carry back a pail of fresh
cow's milk without spilling any, or bring in more wood for the
fire, or gather green beans from the big garden to string and snap
later. She was eight years old today, would be nine tomorrow, and
she was meant for the house, not the field. Everyone, white,
colored, and Negro, told her how much pride there was in that.
On
good days Elisabeth would tell Suzette interesting things, mostly
about cooking or preserving or flavoring, and sometimes she would
compare Rosedew with the plantation she had come from in Virginia.
"This
big house is puny next to some," Elisabeth would declare. In
Virginia, her mother said, the big house had an upstairs, a
downstairs, and thick white columns in the front. There were
separate servants for every task, and each one of them had
assistants. The big house on Rosedew was slung low, a one-story
house of wood and brick frame, stuccoed in white, and topped with
a long, sloping roof. There were six rooms that Suzette helped
clean and a special bedroom for visitors, the stranger's room,
with its own separate entrance from the outside for passersby on
the river who might need a place to stay overnight. More often, as
when the entire Fredieu family stayed over, it was used for the
Derbannes' relatives who came calling by the day or week or month.
Beneath
her madras tignon, Elisabeth's broad, dark face was streaked with
a mixture of sweat from the heat of the cookhouse fires and a film
of fine white flour from her morning baking. The sleeves on her
long calico summer dress were pushed up above her elbows, and
Suzette could see the old leathery burn marks on the brown skin of
her mother's arms from her many years as cook, from boiling
kettles and the big smoky fireplace and sizzling skillets. Suzette
looked down at her own skinny arms, wishing they were pale and
white like Oreline's instead of the color of cocoa.
"Mam'zelle
and I went down to the quarter yesterday."
For
Suzette there were real smells in the quarter no one tried to mask,
loud sounds no one tried to quiet, and large motions no one tried
to subdue. Weekdays only the smallest children were there, along
with those too old for the field, the sick, new mothers, and the
old woman who took care of all the little ones. Everyone else was
gone, working sunup to sundown. After dark everyone was usually
too tired from the day in the field to do much more than prepare
their evening meal of ground cornmeal and their ration of bacon. A
handful of meal, a little water, a pinch of lard, into the ashes
to cook, and fall into bed exhausted after eating. But Saturday,
after half-day labor, the quarter came alive with each household
working their own patch garden, washing clothes, trading gossip,
and bringing back fish or game along with stories of how they had
caught it. Children mixed at will, white and black, broadcloth and
homespun, nearly masters and nearly slaves not yet fully grown
into their roles. Suzette's family lived in the quarter, including
two sisters and a younger brother. There were moments when she
wondered what it would have been like to live there instead of the
big house.
"Papa
made up two songs. One for Mam'zelle's birthday and a different
one for mine."
Her
father, Gerasíme, never gave Suzette hard looks when she used her
house voice, unlike some others in the quarter. He was coppery
brown, small framed, and always glad to see her, no matter how
tired he might be. With his booming laugh, he called her his
"big-eyed gal." Geras?me's wild mane of springy black
hair couldn't decide whether to stay down or curl up, so it did
both, and his face was so smooth that he didn't have to shave like
the other men. When Suzette had asked him about it, he'd said it
was because he was half Indian. Her father was a favorite in both
the quarter and the big house because he played the fiddle, and
Louis Derbanne often got requests to rent him out for the frequent
parties held up and down Cane River.
Suzette
grew quiet when Madame Françoise Derbanne swept into the
cookhouse, the silk of her pale green visiting dress rustling.
Françoise's heavily corseted build was typical of well-fed Creole
ladies, and her fading brown hair had been darkened with
coffee-grounds water and upswept in calculated curls. Both her
pointed nose and chin were inclined slightly, and her feet were
nestled in black hightop shoes with leather-covered buttons.
Usually she had Elisabeth come to her in the dark back room of the
big house to decide on the menus for the week. But from time to
time she appeared in the cookhouse unannounced, being careful not
to let anything touch her or her fine clothes. It was an old
ceremony between the mistress and her cook, and they had been
acting it out since Elisabeth had come to the plantation fifteen
years before.
"Elisabeth,"
Madame said, crinkling her nose as if she had caught wind of
something slightly foul, "I've just talked to Oreline, and I
want today's supper to be special. I have promised her a birthday
treat of her favorites. There will be ten of us in all."
"Yes'm,
Madame Françoise," said Elisabeth, eyes still on her
worktable, hands never stopping their rhythm.
Suzette
tried not to smile as she watched the two women, one tall, with
skin the color of day-old grits, the other short and dark. She had
already told her mother each of the choices she and Oreline had
decided upon.
"We
will have chicken and tasso jambalaya, sweet-potato pone, green
beans, cala with the gooseberry preserves we put up last year, and
peach cobbler," Françoise instructed.
"Yes'm."
Suzette
was surprised Madame could not smell the peaches hidden in the
pantry. Their aroma still lingered in the air of the cookhouse,
competing with the sharp yeast smell of the starter sponge for
cala they had concocted the night before, holding the promise of
the rice fritters to come. She had peeled the potatoes for her
mother and had been careful to watch how Elisabeth combined the
boiled potatoes, cornmeal, flour, and cooking soda and left it in
the night air to ferment before mixing in the boiled rice to make
the sponge. Just before mealtime would come the flour, eggs,
butter, and milk, the stiff batter to beat, the dropping of the
calas by the spoonful onto the blistering skillet.
"I
give you my permission to go to the smokehouse after breakfast and
get the ham and one jar of preserves," Madame said with a
slight nod of her head.
"Yes'm."
Madame
Françoise walked a few steps toward the doorway and then turned
back. Her tone had a scolding edge.
"You
used far too much sugar in your last peach cobbler, Elisabeth, and
Monsieur Derbanne got an upset stomach. Use less sugar this
time."
"Yes'm."
The
last time Suzette had served her mother's peach cobbler, she had
spent half of that night cleaning up after Louis Derbanne.
Elisabeth herself had told Suzette that M'sieu was ill because he
had drunk too much bourbon. Her mother had done nothing wrong.
Suzette
stood to her full height, the butter paddle still in her hands.
"Madame,"
she said eagerly to Françoise Derbanne, "it was the bourbon
that made him sick, not the sugar."
Suzette's
words fell into the damp, dead air and hung there. Each of the
three stood rooted in the cookhouse, the white woman's lips
reducing to an astonished slim line, the black woman's face
turning in on itself, her eyes closing briefly, and the suddenly
uncertain little cocoa-colored girl letting her arms fall limply
to her side. A fly buzzed sluggishly toward the open doorway.
Françoise Derbanne's eyes flickered
hot. She turned,
took three quick steps toward Suzette, and slapped her hard with
her green-gloved hand across the right side of her face, fingers
spread wide.
She
squinted at Elisabeth. "I won't be contradicted," she
said, her voice wavering slightly. "You need to teach the
girl her place." She wheeled around and walked deliberately
out of the cookhouse.
Françoise
Derbanne had never slapped Suzette in the face before, and it took
a moment for her to start to cry. After the first startled tears,
she looked toward her mother, who continued working the ball of
dough.
"I
didn't mean to be bad, Mère."
Elisabeth
sprinkled more flour on the worktable and roughly pulled down the
rolling pin. "Your little-girl days are done." At first
her tone provided no opening, but then it softened. "Come
over here, Suzette." Suzette obeyed slowly, sniffling.
A
single plump tear stood perched on the high ridge of Suzette's
cheek, refusing to drop to the red outline below where Madame had
slapped her. Elisabeth reached over and with her broad thumb
pushed the wetness away, leaving a thin trace of white flour in
its place.
"Mère?"
Elisabeth
had returned to her dough, humming.
Suzette
felt the stinging on her face, the heat of the fires, the
stickiness of her shift against her skin. She stared at the old
burn spot shaped like a quarter moon on the inside of her mother's
exposed arm, fascinated by how perfectly the tips curved in toward
each other. She was tempted to reach out and touch it.
"How
many times have I told you to keep that mouth from running?"
Elisabeth said. "There's lots worse than slapping." She
didn't often look angry, but now she pounded at the dough as if
she were scrubbing clothes on the washboard.
"It
wasn't fair," Suzette said stubbornly.
"There
is no fair. Just do your work, Suzette."
Suzette
went back to the churn. Der-banne. Der-banne. The
paddle resisted more with each movement until she had butter. She
spooned it out, rocking herself in place where she stood, her face
settling into a dull ache, while Elisabeth's big wooden rolling
pin gave out stubborn squeaks with each pass over the dough.
"Mère,
I finished the butter."
"Is
the table set?"
"Oui."
"Then
come watch," Elisabeth said. "Your time's coming soon
enough to make the biscuits."
This
seemed like safer ground to Suzette, and she held on to it.
"Can I help you today if Mam'zelle Oreline doesn't need
me?"
Elizabeth
showed the beginnings of a rare smile, partially exposing the gap
between her two front teeth, a gap that matched Suzette's own.
"I'm
going to make you a little secret peach cobbler for your birthday
tomorrow. No telling anybody else, even Mam'zelle." Elisabeth
reached out and touched Suzette's arm, insistent, the almost smile
fading. "Understand?" she said. "Not even
Mam'zelle."
Suzette
nodded. "Should I run and get more peaches?" she asked.
"First
use those young legs to go get me some more sugar. One extra cup
and we'll make sure this peach cobbler bubbles up nice and sweet
for Mam'zelle Oreline."
The
ache had faded from her cheek by the time Suzette served the
breakfast of tamales, tortillas, sausages, blood pudding, and
biscuits to the Derbannes and their visiting houseguests. They
were ten around the long dining room table, and the adults seemed
in high spirits. She dished the sausages out of the platter for
everyone around the table, coming last to Oreline's cousin
Narcisse Fredieu, a pudgy boy with light brown hair thick clumped
in waves hugging his head.
Suzette
stayed close to the table, hoping to hear the Derbannes and the
Fredieus talk about St. Augustine. For a long while the breakfast
conversation meandered lazily from the price of cotton and old
people's ailments to the poison grass creeping up from the marsh,
what the weather was likely to be, and the heavy responsibilities
of the planter class. She'd heard all of that before.
"I
tell you, brother, the seating arrangement is improper at St.
Augustine. White sitting behind colored," Narcisse's mother
complained. "We were meant for better."
Suzette
waited to see what would happen next. Oreline had told her that
the Fredieus were not exactly de la fine fleur des pois, not the
most select blooms of the sweet-pea blossom, and the marriage of
Narcisse's mother to a Fredieu had been below her place. On many
of their visits Suzette had overheard Narcisse's mother, a
Derbanne, talk about her family's quality, with history and
distinction in the bloodline. She passed on her family stories,
bold and proud tales of the original French settlers in Louisiana.
She was silent on the subject of the Fredieus' background.
"They
reserve the eight rows for their betters, sister," Louis
responded. "Only Augustine's family is in front. He did pay
for the church, after all."
Françoise
cleared her throat to speak. "We should go to the
Natchitoches church," she said, and her voice rose slightly.
"It dismays me to have to consort so closely with the gens de
couleur libre."
Suzette
knew she really meant her godmother, Doralise. Even the mention of
Doralise Derbanne could trigger an ugly mood in Françoise. Louis
Derbanne had freed Doralise when she was still a nursing baby,
acknowledging her so openly as his daughter that she had taken his
last name as her own, even in public, making it impossible for
Françoise Derbanne to deny the obvious, as she had done with the
others. Suzette's godmother, her marraine, occupied a middle
place, not as high as the white Derbannes or the Fredieus and not
as low as any of those she sponsored as godmother from the house
or the quarter. She was a woman of color, and free.
All
eyes at the table shifted from Françoise to Louis Derbanne. He
looked the part of the older-generation Creole French planter,
from his pomaded thinning gray hair to his black suit and riding
boots. The role had been handed to him whole on the day he was
born. "We have had this conversation before," he said.
"I will not drive all the way to Natchitoches when there is a
perfectly acceptable chapel on the river."
Françoise
gave ground in the face of opposition from her husband. "With
the infidel Creoles around Cane River, we were lucky our eight
rows were half-full."
"I
understand your discomfort, my dear, but the best church is a
church nearby." Louis waved Suzette over for more blood
pudding, and she hurried to his place at the head of the table.
"At
least St. Augustine draws the best of the gens de couleur
libre," Françoise conceded. "They do have the proper
respect for whites so crucial for the smooth running of a
community. Thank goodness they don't consider themselves white,
but they certainly don't consider themselves Negro, either."
The
children at the table, including Oreline and Narcisse, sat quiet,
as demanded, listening to the adults talk, joining in only for the
singing after the meal.
Midday
the Fredieus left Rosedew to return to their own plantation.
Later
that evening Suzette helped Oreline undress for bed.
"Mam'zelle
Oreline, would you teach me reading?"
"I
cannot, Suzette. You must stop asking. You know as well as I do
that you are not allowed. Besides, it is no good for you to try to
learn something so hard. Your ideas are wicked."
"Just
a few words? My name?"
"I
will not," Oreline insisted.
"What
if we don't tell?"
"No.
Aunt Françoise would be very angry if she found out. Why would
you want to read, anyway? Even Aunt Françoise doesn't know
how."
Suzette
stopped to consider. The Derbannes had taken Oreline in when her
parents died, and Oreline would never disobey either Françoise or
Louis. Still, she persisted. "In church today, I could not
follow what the priest said."
"He
talks most of the time in Latin," Oreline said. "Nobody
understands."
"But
I want to take communion. Old Bertram went inside the church
today, like everyone else."
"You
do not have to know how to read to take communion. I can ask Aunt
Françoise to give her permission for you to take classes when I
do. Besides, I will always be around if there is something to be
read."
Oreline
gave Suzette a secret, reassuring side glance when Françoise came
in to lead the two girls in bedtime prayers. "Aunt Françoise,
can Suzette take communion with me?"
Françoise
looked from one girl to the other. "First communion is not
until you are twelve, and requires serious study to get
ready."
"I
would help her," said Oreline.
"Your
behavior today did not show you as a very good follower of Christ,
Suzette," Françoise said. "You have failed to be
properly obedient."
"I
can be good, Madame Françoise. I do want to take communion, like
Mam'zelle Oreline. Old Bertram told me he was confirmed when he
was a boy."
"We
will see how you conduct yourself." Françoise sat in the
cane-bottom chair beside the four-poster bed, perched tentatively,
as if prepared for any turn of events. "Oreline, tonight you
will start to learn the Lord's Prayer."
Oreline
repeated each passage after her aunt, and then Françoise kissed
her niece lightly on the forehead. "When you are ready to be
confirmed, you will wear a beautiful white dress and a veil, and I
will get you your own rosary beads." Françoise looked to
Suzette, standing near the foot of the bed. "And you,
Suzette. If you apply yourself, you can rise above your mother and
the others in the quarter." She straightened her skirts and
prepared to retire to her own room. "Time for bed. Good
night."
Suzette
made her rounds of the big house, pulling the drapes, emptying the
spittoons, and gathering everyone's dirty laundry. She checked on
each member of the household to see if they needed her for
anything before she returned to Oreline's room, where she blew out
the candles and pulled out her pallet from under the bed.
Early
the next morning, on her ninth birthday, before the household
stirred, she made her way to Françoise Derbanne's favorite
rosebush.
Copyright © 2001 by Lalita Tademy
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